Tyler the Creator See You Again Music Video Pitchfork
Music videos are the most remarkable works of art of the modernistic world. The MTV generation of the '80s and '90s watched eye-communicable clips from the creative pioneers who launched the medium. Nowadays, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attention.
More than music videos get released all the fourth dimension, only only a select few have been powerful enough to spark controversy, launch careers and withstand the test of fourth dimension. These are some of the virtually iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson'due south most iconic video is a mini-movie that runs for 14 monstrous minutes. The chilling spectacle is an homage to old horror films mixed with camp and an unforgettable dance routine with a horde of zombies. Information technology'south Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween political party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. It's so iconic, in fact, that it's currently the only music video preserved in the Library of Congress' National Film Registry.
Madonna's legendary musical career explores the complicated relationship between sexual activity and organized religion, and no music video in her career ameliorate illustrates her life's piece of work than "Similar a Prayer." The powerful video explored injustice in the prison organisation, interracial love and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, but family and religious groups were horrified. Even the Vatican condemned Madonna'due south video, criticizing its "blasphemous use of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar campaign that used the song.
Childish Gambino – "This Is America" (2018)
Gambino's rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The creative person seamlessly weaves through protestors, shooting sprees, police brutality, all the while sidetracked with a grouping of dancers fixated on the latest dance moves.
The cyberspace spent weeks watching the video, attempting to decode its blink-and-you'll-miss-it symbolic imagery. Countless think pieces later, the video cemented the song equally a modern-day protest anthem against gun violence, police brutality and bigotry.
George Michael – "Freedom! '90" (1990)
In 1990, George Michael was at the top of his game. His music videos were in heavy rotation on MTV, and his albums were selling out across the world. Merely when information technology came time to make the video for "Freedom! '90," Michael had had enough of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a step dorsum from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, equally symbols of the pop legend burned in flames.
Missy Elliot – "The Rain (Supa Dupa Fly)" (1997)
When it comes to outrageous music videos, no one comes close to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying dance routines. She has a catalog of amazing choices, but her breakout video, directed by Hype Williams, remains the rapper'due south nearly iconic of all fourth dimension.
In the video, Missy sported her glittered helmet glasses and patent leather blow-upwardly adapt, also lovingly referred to equally her "trash bag chimera." The video also filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Ring on It)" (2008)
"Unmarried Ladies" had no costume changes, no fix changes and very elementary choreography. It sounds like a recipe for something boring, but the less-is-more than approach made Beyoncé's moves nothing short of captivating. Fans across the globe went wild over the trip the light fantastic toe, and many wannabes uploaded their own versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year award. Even so, she lost the Moonman for All-time Female Video to Taylor Swift, prompting a very drunk Kanye West to interrupt Swift during her acceptance speech on Beyoncé'southward behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel'southward "Sledgehammer" was a trippy tour de force. In the video, the British rocker danced his way through playful vignettes of claymation, pixilation and stop-motion animation. In reality, he had to lie under a sheet of glass for 16 hours so they could film the video one frame at a time.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. Information technology went on to win nine MTV Video Music Awards in 1987, the almost awards a video has ever won.
9 Inch Nails – "Closer" (1994)
This creepy clip took identify in what tin simply be described as a 19th-century md's function with a touch on of S&Chiliad. Nine Inch Nails frontman Trent Reznor found himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was also explicit for Idiot box, and then several scenes were blocked by a black screen that read "Scene Missing." The video was after voted number i in a VH1 Archetype poll for "The Greatest Music Videos of All Fourth dimension."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled downwardly on cocky-love and female empowerment at the coolest desert party of all time. In the 2022 video for "Pynk," women were safe to be themselves — and men weren't necessary. The queer representation and anatomically-diverse lady pants were a visual breath of fresh air.
The video premiered effectually the time Monáe came out every bit pansexual, which was a big moment for the very private singer. For that reason, the video'due south visuals and message fabricated the song an anthem for lesbian, bisexual and queer-identifying women.
The Smashing Pumpkins – "Tonight, Tonight" (1996)
The Smashing Pumpkins usually fabricated heavy metallic goth rock, but this song was different. "This evening, Tonight" was an orchestral, climactic ballad with a video that harkened back to the silent film era.
The video's primitive effects and turn-of-the-century costumes were a surprising visual counter to the band'south audio. It was a significant visual departure for the band, and information technology paid off in droves. Silent films were suddenly all the rage, and the band won half-dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video mostly consists of a closeup shot of her face up as she sang through her acrimony and sadness. Toward the end of the video, two existent tears rolled down her cheeks.
The prune collected three Video Music Awards in 1990, including Video of the Year. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to look into the camera for their music videos, just goose egg compares to Sinéad's devastated gaze all these years later.
OK Go – "Hither It Goes Once again" (2006)
OK Go fabricated a proper name for themselves in the early 2000s with their low budget viral videos. Their beginning video for "Hither It Goes Again" was a complex dance routine on treadmills performed in one have. It was their start taste of virality and changed the music video game forever.
YouTube was becoming the next MTV, and musicians looking to make a moving ridge had to remember fast. OK Go had the idea to create music videos with the intention of trending on the net. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Take On Me" (1984)
A-ha made music video history cheers to the animation fashion known equally rotoscoping. Animators draw over movie footage frame past frame to produce realistic action with a cartoon await. It sounds similar a lot of work — and information technology is — but it paid off for the Norwegian synthpop band.
The video's romantic storyline and whimsical blitheness manner fabricated MTV history. The group won six Moonmen at the 1986 Video Music Awards and amassed over 930 million views on YouTube. Bands similar Weezer and Paramore have created their ain video tributes using the iconic mode.
Christina Aguilera, Lil' Kim, Pinkish, Mya and Lil Kim — "Lady Marmalade" (2001)
Information technology's the ultimate pop music collaboration. These iv powerhouses joined forces with a lot of lingerie for a cabaret like no other. Similar a circus on acid, each performer showed off tiny costumes, sultry trip the light fantastic toe moves and outrageous hair and makeup.
The blend of hip hop, pop and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Award for Video of the Year and the 2002 Grammy Accolade for All-time Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Dearest" (1995)
Burning Man meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their home state of California. Filmed inside the actual Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a post-apocalyptic rave in the desert for the video.
Everyone in this video'due south twisted hereafter drove giant jeeps and wore steampunk armor. The sepia-toned, desert visuals brand the video look futuristic to this day, unless y'all've ever been to Called-for Human being. Then it'south just another mean solar day at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam'due south "Jeremy" was a chilling illustration of loneliness and low. The troubled lead, Jeremy, moved through frozen family members and classmates as the music intensified. Strobe lights flashed as words like "problem" and "ignored" appeared, pushing Jeremy to his breaking signal.
In the video'south unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most violent parts from airing, and an alternative version was released. The video was still powerful after the edits, but Pearl Jam stopped making videos for years following the controversy.
Outkast – "B.O.B." (2000)
Outkast has so many iconic music videos that information technology'south hard to pick just i. "Miss Jackson" saw Andre 3000 and Big Boi save a house from flooding as animals bounced their heads to the music. "Hey Ya!" offered a Beatles-style performance on alive TV.
Only none of Outkast's other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their customs while expressing their unique individuality. No 1 could mix technicolor suburbia, bondage–clad Bond girls and gospel choirs quite like Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $7 one thousand thousand ride into history. The video for "Scream" earned the Guinness Book of Earth Records title for the most expensive music video ever made. The video gave Michael a chance to retaliate (angrily) against the media.
The spaceship featured a selection of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons let out their aggressions and danced with a vengeance. Information technology was a complicated time in the Male monarch of Pop'south controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's singer Jay Kay takes viewers on a ride with the most confusing dance sequence in music video history. Performed in a white room with a gray floor, Jay Kay sang the song equally the floor appeared to movement while the room stood still.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay's bizarre dancing helped a piffling too. The video won iv Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Before making it big as a popular singer, Sia was a talented songwriter for large-name acts like Rihanna and Katy Perry. Years subsequently releasing her own indie music, Sia broke through with yard Forms of Fear. The merely problem was she was afraid of the attention.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia's powerful song. The choreography fit the vocal perfectly, and Sia enjoyed the spotlight from a safety altitude.
Nirvana – "Smells Like Teen Spirit" (1991)
The song ushered in the grunge motility, but the video for "Smells Like Teen Spirit" ushered in the wait. Outset-time manager Samuel Bayer took a typical loftier school concert and turned it into a total riot. What else would you await from a school with cheerleaders sporting anarchist symbols?
The grunge stone movement paired well with a general apathy toward club, and the video exemplified that. In fact, the students shown in the video were actually bored later filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a alert for the world in their iconic "Waterfalls" video. T-Boz's raspy voice offered two tales of gang violence and unsafe sexual practice as viewers watched the stories unfold.
Not even Left-Eye's timeless rap could save the characters from making the wrong decisions. By the finish of the video, T-Boz, Left-Eye and Chili appeared liquified next to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "HUMBLE." (2017)
Lamar made music video history with the release of his spiritually charged video for "Humble." The video started with Lamar dressed like the pope, looking somber in a cathedral. He afterward recreated Leonardo da Vinci's 15th-century painting The Last Supper, with Lamar, naturally, sitting in Jesus' chair.
In between religious visuals, Lamar played with coin, golfed in an underpass and stood surrounded by men on fire. Critics hailed it equally a critique of society'south focus on consumerism. Possibly nosotros should all "sit down down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine image for years, only that came to a screeching halt in 1999. Something was unlike virtually the elusive chanteuse with the release of "Honey." The squeaky clean singer spent the video diving in a bikini and dancing fashion more suggestively than ever before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a not-and then-subtle nod to her divorce. In the video, she escaped captivity from a wealthy man'southward mansion and began the rest of her life as a gratuitous, liberated woman.
Guns N' Roses – "November Pelting" (1992)
The video for Guns 'N' Roses booming ballad "November Rain" featured the nigh rock north' roll wedding of all time. In the video, lead vocalist Axl Rose married his then-girlfriend Stephanie Seymour, surrounded past gothic candles, cigarettes and hairspray.
Between shots of the nuptials reception, viewers watched in high-def equally the ring performed "alive." The $ane million video ended in despair after nine cute minutes. Rain poured downward during the reception, which so segued into shots of Seymour's funeral. Information technology's disruptive, but still epic.
Rihanna & Calvin Harris – "Nosotros Establish Dear" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. Notwithstanding, manager Melina Matsoukas created a human relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend before leaving him in a pool of drugs and alcohol.
The video used visual cues from films similar Trainspotting and Requiem for a Dream to emphasize their chaotic love. It won the Grammy Award for Best Short Form Music Video and the VMA for Video of the Twelvemonth.
Queen – "Maverick Rhapsody" (1975)
Earlier the regular release of music videos, there were promotional videos. Also known equally "popular promos," the videos played on Television set stations when the bands couldn't be there to perform for the cameras. Queen specifically wanted to produce their video then they could avert lip-syncing to their song on Height of the Pops.
It turned into more a operation clip of the ring; it was an artistic argument. The video is i of the main catalysts for the cosmos of MTV and the creation of music videos at large. It currently has more than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. Showtime, he wanted 2006's Miss Universe, Zuleyka Rivera, bandage to represent "the ability of a Latina adult female." Side by side, he wanted the video to celebrate Latin American culture and amplify the song's soul accurately.
He nailed information technology. The video perfectly captured the dazzler of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the globe with their infectious hitting. "Despacito" stands alone on YouTube with more than than 6.4 billion views, making information technology the almost viewed music video of all fourth dimension.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all within the kickoff 10 seconds? It must be Prince. Wearing goose egg but a cross around his neck, Prince rose from his bathtub and stared into the camera, holding his hand out for whoever wanted it.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Award-winning stone musical Purple Rain. Information technology was i of the first clips to spark controversy for being too sexually explicit for TV.
Bjork – "Large Time Sensuality" (1993)
This is the video that made Björk a household name, and the premise was simple: Motion picture Björk while she dances on the back of a truck in New York City. Simple or not, it was only baroque enough to brand the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre dance moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on full display in the Large Apple, and you could virtually feel her joy climb through the black and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their ground. Most videos at the time showed bands performing their songs as if they were on another stage. There weren't a lot of creative special effects used still. That is, of course, until Bowie got into the mix.
Bowie was already a creative legend, just music videos gave him the chance to push button boundaries even further. The opulent, otherworldly prune cost more than $425,000 to brand, making it 1 of the most expensive music videos of all fourth dimension.
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